Our two press-restoration projects have been successfully completed and as of yesterday, the business of typecasting has resumed. In progress at the moment is a restock of Tuscan Floral. While doing up a routine third casting of Border No. 88, casterman T.H. Groves let his imagination get loose and started talking about what one might do design-wise with this two-element border, especially if there were multiple complementary sizes at hand. It is, after all, a modular sort of thing, which of course is all the rage in metal type right now! So in addition to the 36-point restock, we hereby present Border No. 88 and Border No. 89 in 18-point. (The single element No. 89 is simply the corner piece used with No. 88.) You can see our experimentation with it for the label, but that only suggests what could be created with a supply of the three borders in two sizes. Who wants to be the first to try it?
December is upon us, the cooler weather is good for typecasting, and we have an endless list of cool stuff to cast going into the new year. As always, so many matrices, so little time!
We’ve slacked off from typecasting of late, to direct our time and efforts to working on machinery. In addition to bringing another casting machine up to operating condition (not quite there yet) we’re doing complete restorations of two presses: a 1954 Vandercook No. 4 and a 1901 Chandler & Price 8 x 12. These were both rescued here in Arizona from distressed situations—the C&P was holding up a mailbox out on a nearby highway! Nevertheless we continue our longstanding policy of presenting at least one new casting every month. So for your printing pleasure, November’s offering is Border No. F-1202 in 36pt.
Some years ago we cast Neuland and its companion Inline in a variety of sizes. They sold well, and supplies were exhausted within a couple of years. They’re long overdue for restock and this month we’re pleased to announce Neuland 24pt and Neuland Inline 18pt as the first two. Also back in stock is Collection No. 3, a rather remarkable set of six “stacking” ornaments, each of which is furnished in both decorative and solid versions, allowing for chromatic use
if you so choose.
This will be brief, and a couple of days early, because we’re launching early tomorrow morning for the Los Angeles Printers Fair. It’s gotta be the single largest Letterpress event in the country, and nothing short of spectacular! Skyline will be on deck with our full line of Fonts, Borders, Initials and Collections. Full info is available at:
Hope to see you there!
New for this month is Border No. G-24, a big frilly 2-element thing. And back in stock is the ever-popular Motto. Press on—
In developing the intricate Alpha-Blox presentation box over the past few months, we gained a fair amount of woodworking experience. And this has led to the realization that it would be comparatively easy to produce the wooden item that printers use most: imposing furniture. So as of this month, we do!
It’s kiln-dried birchwood, precision cut, sanded, and hand-rubbed with boiled linseed oil. The length of each piece is stamped on the end. This is the way it was done in the old days, and the tradition is carried on at Skyline. You can get
a single piece or a full set—see the new Furniture page for details.
But we’re still a type foundry, first and foremost. New this month is a face so rare it’s not even shown in McGrew: Caption in 30pt. Introduced around 1940 by Mergenthaler Linotype, it was not a success, and quickly fell into obscurity. I’ll bet even Rick von Holdt doesn’t have this one.
Leaves, leaves, and more leaves! Just in time for autumn (or spring, depending on your hemisphere and ink color), we invite you to have a maple-leaf-fest with our new 36pt Border No. F-1631. Or bury yourself in oak leaves and acorns with 24pt Border No. G-69, and let your significant other try to figure out which nut is you. Lastly, Border No. F-1617: this elegant 24pt three-piece foliage border was designed by Rudolph Ruzicka to go with his Fairfield type face. Skyline salutes John Horn who made this one possible by furnishing the matrices.
Celebrate International Letterpress Day on 9/18—print something!
We often get requests to cast this or that typeface. Sometimes the matrices are in our vault, sometimes not—sometimes we can take on a custom project, and sometimes we decline. The request most often received is for a certain set of combinable decorative elements produced in the 1940s by American Type Founders. I had no idea whether these matrices had survived the 1992 ATF liquidation auction, and if so, where they were—and up until recently, Skyline did not have the necessary hardware to produce type from ATF’s style of foundry mats. Then I became aware that the mats had in fact survived, and were safe in the collection of a longtime friend and fellow typefounder. This gentleman graciously agreed to make them available. Casting proved to be a major undertaking, and we’ve been working on it in deep secrecy for several months.
But the curtain can now be raised, and we proudly roll out Alpha-Blox in 36pt.
It was understood from the beginning that a product this extraordinary called for very special packaging, something like a treasure chest. We have two Hammond Glider saws in our shop and I had often toyed with the idea of using this precision instrument to replicate the finger-jointed wooden accessory boxes that originally came with our Thompson Type Casters. So I proceeded to sketch out some ideas and do a little experimenting. Many days and many buckets of discarded box parts later, I had what I considered an acceptable prototype. More refined examples followed, and the process was captured in full detail to enable quantity production. The finished product is a felt-lined birchwood box, 7½ x 13½ inches, with brass hinges and latch, and gold foil-stamped legend. To the left and right sides of the type are compartments where quotation quads (not included) may be kept for use in composition, with each side able to accommodate 26 em-body quads. A card is furnished, printed on Skyline’s 1890 Chandler & Price press, that shows all the various elements and their layout (yep, just like Whitman’s chocolates). The box and contents weigh in at 15¾ lbs.
A link to ATF’s original 1944 specimen may be found on the Type & Borders page. Alpha-Blox were made in three sizes, of which this is the largest. They consist of two different sets of designs: the Linear, with 19 elements, and the Reverse, with 23. These are all represented in the Skyline set in the exact proportions that were used by ATF, with a total count of 220 pieces.
Pricing for the Alpha-Blox Boxed Set is $295.00. Purchasers have the option of adding a second full set of type, packed in bulk, for a total price of $495.00. (Due to the amount of time and labor involved in fabrication, there is a limit of one boxed set per person until we’re sure we can keep up.)
Back in stock: Grimaldi in 24pt.
Skyline is closed while we’re on the road to the St. Louis Wayzgoose, and hauling in a couple of truckloads of type metal after that. Orders and emails sent during this time will be attended to promptly when we reopen. Meanwhile, several worthy casting projects are well underway, and we’ll have news when our regular first-of-the-month announcements resume on August 1.
And this just in from David Wakefield (great info, thanks David!):
Border U-14 is from the original 3-piece (Rose) ‘Flower’ No 6, engraved in the Double Pica size at the Fry Foundry in Bristol during the latter half of the eighteenth century. It descended through several acquisitions to Stephenson Blake where eventually, in 1922, it was revived as unit No 502 in a collection entitled ‘Eighteenth Century Flowers & Borderings’ made up mostly from their inherited matrices. It survived into the 70s as Miscellaneous Border 326/502.