Last month’s Border No. U-6 has been positively identified by one of our sharp customers as Element #26 of the Central Type Foundry’s spectacular Floriated Border, as shown in their 1892 specimen. Thanks, Laura.
For this month’s new font we present Figaro in 36pt. Better known in the U.S. as “Old Towne”, it was a 1940 design from British Monotype. The face is one more version of French Clarendon Condensed which was enormously popular in the mid-19th century—and now for us in America, it’s strongly reminiscent
of the old west.
Back in stock: Cloister Old Style 18pt and Arboret No. 2, 24pt.
Fun with Explosives! That’s what we’re calling Collection No. 40, new this month for your convenience in blowing things up. And we’ve done three more new borders in the Floor-Sweepings-From-The-Matrix-Vault Series: Border No. U-6, a single-element antique floral (there’s undoubtedly a story behind this; perhaps it’s one piece of an elaborate 19th-century ornamental set). Border No. U-15 is a dainty little thing that looks delicate but is a single element, 6 x 36 points, easy to compose. And then there’s the heavy-handed Border No. U-16 in 36pt, also one element. Attila the Hun used this one on his wedding invitation.
Back in stock after too long an absence is the favorite antique Tuscan Graille. Press on, and have a fine Ground Hog Day!
We’re calling this month’s new stuff “Floor Sweepings from the Matrix Vault”. Collections No. 37, 38, 39, and 41 all consist of single-element ornaments, oddballs, orphans, and designs that just don’t fit in with anything else we have. No. 37 was done from four matrices we got from a defunct foundry in India, including a lotus blossom, their version of a hippie-flower, and Ganesha, the Hindu elephant-god who is revered as the remover of obstacles and patron of new beginnings, and of letters and learning. The three calligraphic flourishes in No. 38 are actually ATF designs. The other ornate decorators probably originated with 19th-century type faces, and that sine wave is likely a chemical or mathematical symbol. The special-occasion goodies in No. 39 are matrices from Barco Type, which Skyline bought out some years ago. In No. 41 you can figure out for yourself what they are and what to do with them. The two martinis could be overprinted chromatically. Here’s your chance to get creative!
Back in stock now is the very popular Tuscan Floral in 36 point. (That ornate end-bracket in Collection No. 38 would go beautifully with it.)
From the beginning, our philosophy at Skyline has been to preserve and perpetuate the ancient and esoteric craft of typefounding, and to keep new type within reach of all in the letterpress community. In general our prices have been about half of those of our friends at M&H Type, the country’s oldest and largest foundry. As 2016 draws to a close, however, the numbers reveal that our costs have exceeded revenue for the year. Therefore the current revision of our online Specimen Book & Catalog reflects an incremental price increase. We sincerely thank all our customers for your continued friendship and loyalty.
And so commences another loop around the sun in our Spaceship Earth, the 2017th since counting began. May it be a journey of fellowship, successes and our best printing ever!
Our two press-restoration projects have been successfully completed and as of yesterday, the business of typecasting has resumed. In progress at the moment is a restock of Tuscan Floral. While doing up a routine third casting of Border No. 88, casterman T.H. Groves let his imagination get loose and started talking about what one might do design-wise with this two-element border, especially if there were multiple complementary sizes at hand. It is, after all, a modular sort of thing, which of course is all the rage in metal type right now! So in addition to the 36-point restock, we hereby present Border No. 88 and Border No. 89 in 18-point. (The single element No. 89 is simply the corner piece used with No. 88.) You can see our experimentation with it for the label, but that only suggests what could be created with a supply of the three borders in two sizes. Who wants to be the first to try it?
December is upon us, the cooler weather is good for typecasting, and we have an endless list of cool stuff to cast going into the new year. As always, so many matrices, so little time!
We’ve slacked off from typecasting of late, to direct our time and efforts to working on machinery. In addition to bringing another casting machine up to operating condition (not quite there yet) we’re doing complete restorations of two presses: a 1954 Vandercook No. 4 and a 1901 Chandler & Price 8 x 12. These were both rescued here in Arizona from distressed situations—the C&P was holding up a mailbox out on a nearby highway! Nevertheless we continue our longstanding policy of presenting at least one new casting every month. So for your printing pleasure, November’s offering is Border No. F-1202 in 36pt.
Some years ago we cast Neuland and its companion Inline in a variety of sizes. They sold well, and supplies were exhausted within a couple of years. They’re long overdue for restock and this month we’re pleased to announce Neuland 24pt and Neuland Inline 18pt as the first two. Also back in stock is Collection No. 3, a rather remarkable set of six “stacking” ornaments, each of which is furnished in both decorative and solid versions, allowing for chromatic use
if you so choose.
This will be brief, and a couple of days early, because we’re launching early tomorrow morning for the Los Angeles Printers Fair. It’s gotta be the single largest Letterpress event in the country, and nothing short of spectacular! Skyline will be on deck with our full line of Fonts, Borders, Initials and Collections. Full info is available at:
Hope to see you there!
New for this month is Border No. G-24, a big frilly 2-element thing. And back in stock is the ever-popular Motto. Press on—
In developing the intricate Alpha-Blox presentation box over the past few months, we gained a fair amount of woodworking experience. And this has led to the realization that it would be comparatively easy to produce the wooden item that printers use most: imposing furniture. So as of this month, we do!
It’s kiln-dried birchwood, precision cut, sanded, and hand-rubbed with boiled linseed oil. The length of each piece is stamped on the end. This is the way it was done in the old days, and the tradition is carried on at Skyline. You can get
a single piece or a full set—see the new Furniture page for details.
But we’re still a type foundry, first and foremost. New this month is a face so rare it’s not even shown in McGrew: Caption in 30pt. Introduced around 1940 by Mergenthaler Linotype, it was not a success, and quickly fell into obscurity. I’ll bet even Rick von Holdt doesn’t have this one.
Leaves, leaves, and more leaves! Just in time for autumn (or spring, depending on your hemisphere and ink color), we invite you to have a maple-leaf-fest with our new 36pt Border No. F-1631. Or bury yourself in oak leaves and acorns with 24pt Border No. G-69, and let your significant other try to figure out which nut is you. Lastly, Border No. F-1617: this elegant 24pt three-piece foliage border was designed by Rudolph Ruzicka to go with his Fairfield type face. Skyline salutes John Horn who made this one possible by furnishing the matrices.
Celebrate International Letterpress Day on 9/18—print something!